The wonderful Carroll Ballard film of “The Black Stallion” (1979) turns forty in October!!
Here’s a nice article by Elizabeth Kaye McCall that just came out in Arabian Horse Life.
You can reach her; firstname.lastname@example.org
There are a bunch of my photos that haven’t been seen before -so take a LOOK! Black Stallion movie article
Here’s an interview by my friend Elizabeth McCall at the Turner Classic Movie festival this summer. A wonderful screening of the Black Stallion film at the landmark Egyptian theater in Hollywood.
The movie was introduced by gifted screenwriter and equestrian wonder woman Jeanne Rosenberg and the renowned TCM film critic and historian writer Leonard Maltin.
Take a listen and drift away … back to riding alone on the beach!!
A clean and sharp copy of “The Black Stallion” will be screened at the Egyptian Theater (map) in Hollywood on Sunday, April 29. It’s a bit early, 9:15am, but sure it will be a great show.
Screenwriter Jeanne Rosenberg and critic Leonard Maltin will introduce and discuss the film. Try to make it if you can. Only $20 for walk in seats!
It’s a beautiful theater and going to be a really fun time!
If you didn’t get to see Mel Brooks and “The Producers” at last night’s Gala (neither did I) here’s the skinny;
ROBERT OSBORNE AWARD/THE PRODUCERS ( 1968 )
SCREEN TO STAGE
TCL Chinese Theatre IMAX
THE ROBERT OSBORNE AWARD: For the inaugural award, TCM will celebrate world-renowned filmmaker director Martin Scorsese and his longtime dedication to preserving and protecting motion picture history. This presentation will be made as part of the official Opening Night Gala and the screening of THE PRODUCERS (1968) to follow. THE PRODUCERS (1968): Mel Brooks once stated that one of his goals in life was to make Adolf Hitler a laughing stock. One of his first attempts in that direction was answering questions about his next project with “Springtime for Hitler.” Over time, however, he conceived of a failing Broadway producer (based on producers he had known or heard of) overselling shares in a guaranteed flop to outwit auditors with a musical romp about Hitler. Brooks was met with resistance as all of the major studios turned the film down as tasteless, as did Zero Mostel, who only agreed to star in the picture because his wife thought the script was funny. Distributor Joseph E. Levine agreed to back the film but didn’t want Brooks to direct, wanted to fire co-star Gene Wilder and, finally, didn’t want to release the film at all. It took urging from Peter Sellers, who had screened a print, to get it into theatres, where it flopped, even though Brooks went on to win an Oscar for Best Screenplay. Within a few years, however, college screenings had turned it into a cult hit, and it is now considered one of the funniest pictures ever made and went on to inspire a hit Broadway play. From Mostel’s seducing an elderly backer (Estelle Winwood) to get her money, through Wilder’s hysterical outbursts to the hilarious “Springtime for Hitler” number, the film is an almost non-stop barrage of inspired, off-beat humor. Restored in 4k by Studiocanal. (d. Mel Brooks, 88m)
About The Festival
Held over four days in the heart of Hollywood, the TCM Classic Film Festival is a place where movie lovers from around the world can gather to experience classic movies as they were meant to be experienced: on the big screen, in some of the world’s most iconic venues, with the people who made them. Moreover, the TCM Classic Film Festival strives to be a place where a community of movie fans of all ages can share their love of classic movies with each other, make new friends and see films as they are seldom seen today.
THE PAGE ONSCREEN
Writing focuses visions, reflects our feelings and inspires great performances on both sides of the camera. Join us for the 2018 TCM Classic Film Festival, celebrating the representation of the written word on the silver screen. From original screenplays to unique adaptations to portrayals of writers real and imagined, we will celebrate the foundation of great film: the written word.
11 Things You Never Knew About the Making of “The Black Stallion”
Nina Fedrizzi | July 23, 2015
It’s been more than 35 years since The Black Stallion film first captivated audiences around the world by bringing to life Walter Farley’s timeless story of Alec, the young boy shipwrecked on a deserted island alongside a wild Arabian stallion. This month, The Criterion Collection has released a new, Blu-ray edition of the movie, complete with interviews with director Carroll Ballard and cinematographer Caleb Deschanel, bringing the tale to life once again for a new generation of horse lovers.
But no matter how many times you’ve seen this beloved flick, we’ve tracked down some fun facts that may surprise you. Here are 11 things you never knew about the making of The Black Stallion.
1. The film’s 12-year-old star, Kelly Reno, originally accepted the role of Alec in part because he wanted to learn how to swim.
(via youtube/The Criterion Collection)
Reno took lessons so he could film the movie’s underwater scenes.
2. The riding scenes, however, were a piece of cake.
Reno grew up on a ranch in southern Colorado. After injuries sustained from a serious car accident cut his acting career short, he returned to work as a cattle rancher for 20 years.
3. The Black Stallion was filmed at several locations around the world, including Toronto, Sardinia, and Rome’s Cinecittà Studios.
The movie’s shipwreck sequence took place in Cinecittà Studios’ huge outdoor water tank. Filming it took three weeks.
4. Four main horses were used to portray the Black throughout the film. The two most prominent were the Texas-bred Arabian stallion, Cass Ole, and his double, Fae Jur.
Cass Ole (via allbreedpedigree.com)
Cass Ole appears in 80 percent of the film’s shots, though he had white legs and a star that had to be painted black for filming.
5. Ironically, though, it’s Fae Jur that stars in two of the film’s most memorable scenes.
His independent streak and love of fake-fighting made him the first choice for the scenes where Alec befriends the Black on the beach, and also when the stallion protects him from a cobra.
6. Producers originally wanted the Egyptian racehorse El Mokhtar for the title role, but his owners wouldn’t negotiate.
They eventually relented, and El Mokhtar stars alongside Cass Ole in 1983’s The Black Stallion Returns.
7. For the swimming scenes, none of the actor horses were comfortable in the water, so the crew brought over horses from France’s Camargue region, which contains Western Europe’s largest river delta.
Camargue Horses (flickr.com/Philip Haslett)
Reportedly, the white horses were not much to look at and had to be painted entirely black before filming, but in the water, they were incredibly graceful.
8. The Black Stallion proved to be a cash cow for production company American Zoetrope.
Produced for about $4 million, it grossed roughly $38 million at the box office.
9. The film was produced by none other than Francis Ford Coppola, who used his Godfather clout to get The Black Stallion made.
Coppola may have needed the film to succeed more than he let on, however, after a typhoon wrecked his Apocalypse Now set the same year, leaving him severely behind schedule and over budget.
10. Francis’s father, Carmine Coppola, is responsible for the film’s beautiful score.
Carmine was nominated for two Golden Globes for Best Original Score in 1980, both for The Black Stallion and Apocalypse Now. Alas, the Vietnam War flick won the day.
11. Mickey Rooney was nominated for an Academy Award for Best Supporting Actor for his role as Henry Dailey, a retired jockey who helps Alec train the Black for the movie’s final race.
Rooney also played the washed-up jockey, “Mi”, alongside Elizabeth Taylor in 1944’s National Velvet.
You can watch The Criterion Collection’s interview with The Black Stallion’s cinematographer, Caleb Deschanel, here: